Read KM Elkes first prize winning story, 'Extremities' selected by David Gaffney in the June round of the Award for an example of great flash fiction. Ken's a writing tutor as well as a writer, and he ran an excellent workshop on 'voice', an aspect of writing he refers in this interview, at the recent Flash Fiction Festival in Bristol. He gives further useful writing advice, including "write hot, edit cool..., buy (or at least read) the publications you want to appear in (it creates a virtous circle. Pay close attention to language... don't submit your sense of worth as a writer along with your story." There are several more tips to inspire below. To stimulate his own writing, Ken frequently takes pictures of settings or objects that can evoke a mood and also photographs people and places when he is travelling. There's some very evocative photographs included here that are likely to spark off stories from anyone who sees them. We now expect entries in our next competition about older men, beaches and prayers for success...
- Can you tell us how your powerful and affecting winning story ‘Extremities’ came into being?
Ever had an earworm - a song that just won’t let go, that you keep playing over and over in your head? Extremities started like that - a single, crisp image of a hand lying on the floor of a forest while around it rain made a sound like applause. I carried that hand around with me a long time, but didn’t really know what to do with it. I put it in a notebook, like you might press a flower hoping to preserve it, but those fingers scratched against the pages until I had to pay attention. Eventually I went into the realm of What If? Along with prompts, What Ifs are the firestarters of fiction. What if the hand was just one of many limbs littering the forest, accidentally cut off in logging accidents. What if it was so common, people didn’t care that much. I found momentum, images coalesced, and with them came themes and tone and the big one (for me at least) voice. Not the voice of the hapless, handless Bobby, but his so-called friend, who has a distinct tone of detachment (see what I did there!). After all that, it took about an hour to write the basic text that formed the story.
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It's always exciting when we reach the end of the latest Award – and this one was no exception. Nine hundred and three entries from twenty-nine different countries.
Australia, Austria, Belgium, Brazil, Bulgaria, Canada, Cook Islands, Cyprus, Egypt, Finland, France, Germany, India, Ireland, Israel, Italy, Netherlands, New Zealand, Nigeria, Philippines, Saudi Arabia, Singapore, South Africa, Spain, Sweden, Switzerland, United Arab Emirates, United Kingdom, United States
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First of all, I'd like to say a big thank you to Jude and her team for asking me to be the judge of this round of the Bath Flash Fiction Award. I judge a lot of flash fiction competitions, and I used to write a lot of flash fiction too (not so much now as I'm concentrating on novels, graphic novels and longer stories). It was a pleasure to read all of the 50 stories that made the long list and as ever it was a fascinating dip into the psyche of creative writers at this point in time. Some of the titles were tempting enough on their own; Fat Girls Have Fine Nails. Elephants In Flip Flops. Valentines Day At The Walrus Colony. Tupperware Genie. What on earth could these stories be about? I was drawn in immediately. On a sentence by sentence basis, there were lots of examples of great writing here by great writers. Yet, often these were the one that didn’t make it. The ones that did make the top twenty, and ultimately the top five, were the ones that allowed the story and the ideas to shine through above everything else.
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David Gaffney lives in Manchester, UK. He is the author of the novel Never Never (2008) plus the flash fiction and short story collection Sawn-Off Tales (2006), Aromabingo (2007), The Half Life of Songs (2010) and More Sawn-Off Tales (2013). The Guardian said 'One hundred and fifty words by Gaffney are more worthwhile than novels by a good many others.' He has written articles for The Guardian, Sunday Times, Financial Times and Prospect Magazine and was judge for the 2015 Bridport Prize. His story 'The Staring Man' is featured in the 2016 collection Best British Short Stories, his new novel, All The Places I've Ever Lived came out in February 2017 on Urbane and his graphic novel with Dan Berry, The Three Rooms in Valerie's head is out now with Top Shelf.
- In your excellent article for the Guardian in 2012 about flash fiction, you listed the following tips for writing micro fiction – start in the middle, don’t use too many characters, make sure the ending isn’t at the end, sweat your title, make your last line ring like a bell, write long then go short. Is there anything else you would add six years down the line?
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