Tag Archives: Amy Hempel

New Collection by Meg Pokrass

We're thrilled that Ad Hoc Fiction has published Meg Pokrass's new collection, Alligators at Night, the first book of hers published in the UK. Acclaimed US author Stuart Dybek says of her new collection:

The nuanced tonal complexity, which can go from the whimisical to a darker irony in the turn of a phrase, has been a signature feature of the work of Meg Pokrass. That complexity is in her new collection, Alligators at Night, heightened further by the fertile invention and unpredictable interplay of these beautifully crafted pieces

The title story was recently chosen for Wigleaf's best fifty stories of 2018 and another story in the collection, Barista was selected by Amy Hempel for Best Small Fictions, 2018.

Alligators at Night will be launched at the Flash Fiction Festival in Bristol, 20-22nd July where you will be able to hear Meg reading some of these brilliant stories and it is available to buy now worldwide in many different currencies from the Ad Hoc Fiction bookshop

Meg Pokrass is the author of four other collections of flash fiction, and one award-winning collection of prose poetry, Cellulose Pajamas which received the Bluelight Book Award in 2016. Her stories and poems have been widely published and anthologized in two Norton Anthologies: Flash Fiction International and the forthcoming New Microfiction and her novella-in-flash, Here Where We Live, is published in My Very End of the Universe the Rose Metal Press Guide to the form. Meg was the judge for the Bath Flash Fiction Award, Novella-in-Flash competition in 2017 and 2018. She is curator of Flash Fiction Festivals and editor of The New Flash Fiction Review She currently teaches on-line flash fiction workshops.

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The Best Small Fictions 2017
Edited by Tara L. Masih and Amy Hempel
Reviewed by Santino Prinzi

The third instalment of one of the most popular and esteemed series of flash fiction anthologies, The Best Small Fictions 2017 (Braddock Avenue Books, 2017), is an essential read for every flash fiction writer or reader. From Matthew Baker’s island of presidential doppelgangers to Harriot West’s ekphrastic haibun story about Van Gogh’s sunflowers, each of the pieces in this anthology proves that writers are not only continuing to produce high-quality flash fiction, but that the imagination and scope of flash fiction is far-reaching, whether writers choose to explore the uncharted or re-invent the wheel.

A wonderful aspect of this series is its author spotlight, which includes an interview with an author with either more than one story in the anthology or multiple nominations (and being nominated just the once is an achievement in itself!). This year’s spotlight author is Joy Williams, a renowned American writer. The two stories, taken from 99 Stories of God (Tin House Books, 2016) serve as a great opening to the anthology and as a taster of Williams’ engaging, stripped-back collection itself. ‘36’ tells the story of Penny and the house she and her husband lived in, a house that she despises and rents out after her husband’s death. The story is laced with wit, the language is stripped back to the bare essentials, and culminates in a final striking image that offers a spectacular opening to the anthology.
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