Tag Archives: Ad Hoc Fiction

‘This Alone Could Save Us’, by Santino Prinzi, Launch event, 1st August

Santino Prinzi’s new full collection, This Alone Could Save Us is the latest single author collection published by our small press, Ad Hoc Fictio. It’s published on 31st July and is being launched on Zoom on Saturday, 1st August, 2020 7.30 pm – 9.30 pm BST. We’d planned to launch the book at our fourth Flash Fiction Festival which was due to take place in June this year, but of course this was cancelled. The picture of Tino here is when he was reading at last year’s festival. One of the advantages of Zoom is that we can still hear Tino live and also include guests from all over the world.

Jude, director of Ad Hoc Fiction, is hosting the event and Santino has asked writers who provided quotes for his brilliant book, to read along side him. So, as well as Tino, we’ll hear Kathy Fish, Meg Pokrass, Vanessa Gebbie and Diane Simmons. It will be a great night with break-out groups interspersed with the reading sessions so you can talk with your flash fiction friends from around the world. Plus virtual cake and fizz. If you would like to come and support Tino, please email Jude asap at jude at adhocfiction dot com to get your Zoom invite.

Available here now.

15th Award Round-Up

We didn’t know if writers would be inclined to enter the Award during the last months. But current circumstances, due to Covid-19, didn’t prevent entries pouring in from around the world all through the time the contest was open and particularly during the last weeks of the Award. Plenty of writers received their Last Minute Club badges on the final day, green this time, and overall we received more entries than ever. 1411 in total. The following 35 countries were represented:

Australia, Belgium, Brazil, Cameroon, Canada, Cyprus, Czech Republic,
Denmark, France, Germany, Hong Kong, India, Indonesia, Ireland, Israel,
Italy, Lesotho, Malaysia, Mexico, Netherlands, New Zealand, Nigeria,
Norway, Philippines, Portugal, Qatar, Singapore, South Africa, Spain,
Sri Lanka, Sweden, Switzerland, Taiwan, United Arab Emirates, United
Kingdom, United States

We thank our busy team of readers for our 15th Award and big thanks also to our judge, Mary-Jane Holmes for working to the tight schedule between the end of the Award in mid June and the announcements now at the end of June. Do read her excellent judge’s report with general comments and detailed remarks on the winning pieces all linked here, This June, first prize and £1000 goes to to Fiona Perry from New Zealand, second prize and £300 to Hannah Storm from the UK, Third prize and £100 to Sam Payne from the UK, and £30 each to the two commended writers, Emily Harrison and Stephanie Carty, also from the UK. All marvellous flash fictions and yet again, great examples of the variety within the short=short form.

We agree with Mary Jane’s assessment that the longlist is of a very high standard and we’re so happy that most writers on the list have agreed to be published in our fifth anthology which will be published by Ad Hoc Fiction in November or December this year. As ever, we appreciated the huge variety of great entries. We enjoyed the creativity of writers, the many angles on important subjects and themes, the wit, the poignancy and the variety of styles. Thank you to everyone who entered our 15th Award and we hope that you will do so again and give us more wonderful fictional experiences. Our 16th Award, judged by Nod Ghosh from New Zealand, is open July 1st for entries. and will close on Sunday 11th October.

Jude Higgins
BFFA Founder
June 2020.

Interview with Michelle Elvy, Judge Novella-in-Flash Award 2022

Michelle Elvy

52|250 A Year of Writing

Flash Frontier: An Adventure in Short Fiction

Best Small Fictions

National Flash Fiction Day NZ.

Bonsai: Best small stories from Aotearoa New Zealand

Ko Aotearoa Tātou | We Are New Zealand

SmokeLong Quarterly, Flash 500, Reflex Fiction, Bath Flash Fiction Award

Whangarei Poetry Walk,

the everrumble

the other side of better

We thrilled Michelle, who judged our 2021 and selected some fantastic novellas in flash, ten of which (winners and shortlisted) are being published by Ad Hoc Fiction in 2021, has agreed to judge the 2022 Novella-in-Flash Award, open for entries shortly and will close in mid January, 2022 Results out April, 2021 Read Jude’s interview with her below if you want to write a novella for our Award. Michelle has many interesting things to say about the form and the process of writing a novella-in-flash.

Read in Full

Pre-order ‘This Alone Could Save Us’ by Santino Prinzi

We’re thrilled that Ad Hoc Fiction, our small press is publishing Santino Prinzi’s wonderful new collection. This Alone Could Save Us. The collection was due to be launched at our cancelled 2020 Flash Fiction Festival UK.

Available here now.

Read what writers say about it here:

With This Alone Could Save Us, Santino Prinzi has fashioned a collection of small, smart fictions that read large. Here is work undergirded by innovation, incisive wit, and a keen ability to navigate terrain that is personal, and at once universal to us all.’

–– Robert Scotellaro, author of Nothing Is Ever One Thing

‘Santino Prinzi is a word-wizard of the heart—a writer who fearlessly excavates uncomfortable secrets. In This Alone Could Save Us, Prinzi’s first full collection of flash fiction, human nature is the subject, gentle surrealism the medium. Bizarre yet real, funny and crazily sad—it’s mesmerizing to watch Prinzi’s vulnerable characters work to free themselves from life’s stickiest webs. Subversive, haunting, beautiful—a must-have collection!’

–– Meg Pokrass, author of Alligators At Night and Series Co-Editor, Best Microfiction 2020

‘This Alone Could Save Us is a richly varied collection of flash fiction. In these compact gems, Santino Prinzi makes exquisite use of magic and the surreal, but also the quiet, evocative gestures of ordinary life. You will find the deliciously unexpected within these pages, along with moments of breath-taking stillness. Highly recommended.’

–– Kathy Fish, Wild Life: Collected Works from 2003-2018

‘Tender, poetic, and wonderfully surreal, Prinzi understands that stories can save us. Powerful flash fiction that lights up the page, this is the book we all need right now. It is one for the ages. This stunning collection will stay with you for years.’

–– Angela Readman, author of Something Like Breathing and Don’t Try This At Home

‘In This Alone Could Save Us, Santino Prinzi demonstrates his enormous talent for drawing readers into his stories, often surprising them with surrealistic touches that appear totally believable and natural. The flash fictions in this impressive collection are widely varied, but each story is unmistakably Prinzi.’

–– Diane Simmons, author of Finding a Way

‘Exceptionally engaging, closely observed and thought-provoking, this collection shows us a flash master at work as he explores the fault lines that crack open under our feet at moments of unplanned change. Seen through his eyes, the familiar becomes strange, solid becomes unsteady, and even the moon loses its faith in humanity, so moves on. Sometimes sad, sometimes playful, always memorable.’

–– Vanessa Gebbie, author of The Cowards Tale and five short fiction collections.

Interview with Simon Cowdroy, Second Prize winner, February 2020 Award

With two weeks to go before the end of our 15th Award on June 7th, here’s another fascinating interview in our winners’ series, this time from Simon Cowdroy, second prize winning author in our February award judged by Santino Prinzi, to inspire all Last Minute Club writers. You can read Simon’s wonderful story ‘The Dissolution of Peter McCaffrey’ here and it will be published by Ad Hoc Fiction in our end of year anthology along with the other winners, shortlisted and longlisted writers from our 2020 Awards. Simon tells us more about his writing process and his influences which include other writers like Australian Clive James and also the landscape in which he lives, pictured here. We asked him about his striking use of language and think his comment that he strives to use ‘imagery derived from finding a powerful and unexpected way to frame the words’ is very good advice for others who want to write memorable flash. We also like his other tips at the end of this piece and his suggestion to ‘write as if it is your last chance to do so’. It was great to meet Simon at the Flash Fiction Festival last year and hope that when we hold the festival again (fingers crossed for such events), he can come again all the way from Australia, and we can hear him read it. Read in Full

Interview with Erica Plouffe Lazure, runner-up 2020 Novella-in-Flash Award

Erica Plouffe Lazure was a runner up in the 2020 Bath Novella in Flash Award with her brilliant novella, Sugar Mountain .
You can read Michael Loveday’s judge’s comments on the novella in his report linked here. And Flash Frontier has posted a video of Erica reading a story from the novella which gives the flavour of the whole story, on the Flash Frontier You tube channel as part of the lead up to National Flash Fiction Day in New Zealand. In this fascinating interview, Erica talks about her writing process and how she finds time to write flash in her busy teaching year. Plus some great tips for those who want to embark on writing a novella-in-flash. We are very much looking forward to seeing Sugar Mountain in print, when it is published by Ad Hoc Fiction later this year. Read in Full

Interview with Sharon Telfer, first prize winner, February 2020

‘Eight spare bullets’,

‘Terra Incognita

The 15th Bath Flash Fiction Award judged by Mary Jane Holmes ends in three and a half weeks on June 7th. Mary Jane gave some great writing tips in her interview with us and there’s more tips from Sharon at the end of this interview and in the quote below, near the beginning. It is a wonderful piece of advice for the current situation we are in, and has a particular reference to Sharon’s winning story.

“…If you’re not writing for whatever reason, don’t force it and don’t despair. Those seeds are lying dormant, just like in the Svalbard vault. Give yourself time and what light and warmth and good soil you can. Germination always happens first unseen and underground.

Good luck to everyone entering our 15th Award. Results will be out at the end of the June.”

Read in Full

Interview with Tracey Slaughter, Runner-up 2020 Novella in Flash Award

Tracey Slaughter’s brilliant novella if there is no shelter was one of two runners-up in the 2020 Novella-in-Flash Award judged by Michael Loveday. You can read Michael’s comments on the novella in his judge’s report and more about Tracey on our winners’ page.
We are asking the same questions of all our winners and commended authors and it is fascinating to read that Tracey’s novella was inspired by a list of emergency instructions at work and particularly the one phrase ‘if there is no shelter’ that ended up being the title of the novella. For those writing novellas, Tracey has the great advice to ‘Banish doubt and trust the voices and don’t give up on those beautiful damaged characters’. We are so looking forward to seeing her novella in print. It will be published by Ad Hoc Fiction later this year.

Interview

Can you give us a brief synopsis of your novella in flash?

if there is no shelter

What inspired it?

A poster pinned over the sink in the tea-room at work, where I found myself blinking, burnt-out between classes, clutching my cup with a thousand-yard stare – a stained & peeling list of emergency instructions that included the heading ‘If there is no shelter.’ That was it: somehow the heroine spoke, & started bringing her fragments to the surface…

I am sure readers who are interested in writing in this form would love to know more about your writing process. Did it take some time for you to arrive at the final order for example?

Although the first pieces of this story arrived in intense, almost instantaneous flashes, conditions of life (which overturned not long after I embarked on writing) left the further construction of the work suspended, sometimes for months at a stretch. The forgiving form of flash (hallelujah!) could cope with the ongoing disruption, & allowed me to focus on each piece I could achieve within my narrow windows. In many ways, it even seemed to echo the chaos surrounding the heroine – I had to scratch for time, pick through scattered pieces, splice a story together from precious remains. In the end, it wasn’t so much order that I knew it needed to witness, as disorder, the truth of fracture – I had to trust that the story should be left to reflect shattering.

All this may have changed in the present circumstances, but do you have a special place/time to write where you live? Music on or off? Pets as distractions or muses?

Silence, distance, solace, isolation, refuge from the million other pressing demands of life: I can’t seem to write unless I’m alone with my characters, tuned to their voices, breathing in their fates. I remain in awe of anyone who can tap the keys at a café table – I’ve always been secretly convinced they’re faking it!!! But yes, the present conditions are a taste too much loneliness…& with working online the static has just come home!

And following on from the last question, if you like. If you had a soundtrack for your novella, what sort of music would be playing?

I.E.Crazy

Pitfalls and pleasures of writing in this form?

Pleasures: that flash can take you in a rush, plunge you into a character’s senses, keep you fed on bursts of electricity, even when life holds scant time for sustained writing. I thrive on the little fixes it gives, the short stints it lets creativity off the leash, so there’s always a quick source of exhilaration in a schedule that sometimes doesn’t leave much breathing space. And pitfalls: I don’t know if there are any. I find that flash is the central atom of the short story mode, so it’s never wasted, whether the piece stays distilled in a single flash or keeps detonating in a series of ongoing explosions.

Your best tips for those wanting to embark on a novella in flash for our next Award?

Banish doubt & trust the voices & don’t give up on those beautiful damaged characters & what they need to speak, not for an instant – I nearly caved-in & let go of this story, because it was largely composed during crisis, nearly listened to the offscreen murmurs of fears that were waiting to form a cold chorus. Shut that damned descant out the writing room & do it anyway. You can always fend them off for the space of the next flash.

Interview with Mary Jane Holmes, First Prize Winner, 2020 Novella in Flash Award

Mary Jane Holmes won our 2020 Novella in Flash Award, judged by Michael Loveday last month with her stunning novella in flash Don’t Tell the Bees. Read Michael’s comments about it in his judge’s report. And you can also read more about Mary Jane, who currently also happens to be the judge of our 15th single flash fiction Award, on our winners’ page. Mary Jane, who is a poet, prose writer and for many years a teacher of flash fiction and other forms, has had an extraordinary few years where both her flash fiction and poetry has achieved much recognition. Ad Hoc Fiction is delighted to be able to publish Don’t Tell The Bees, which is her first novella. It’s really interesting to read about what inspired the story, to see inside Tom, Mary Jane’s writing caravan and to have her insight into the pitfalls and pleasures of writing in this form. We expect the novella to be out later this year.

Can you give us a brief synopsis of Don’t Tell the Bees, your winning novella-in-flash?

Read in Full

Saboteur Award Shortlistings!

It’s amazing that we are shortlisted for the Saboteur Awards in five categories this year! Ad Hoc Fiction in The Most Innovative Publisher category, the Flash Fiction Festival in the Best Literary Festival category and the four books described below in the Best Anthology, Best Novella and Best Short Story Collection categories. Thank you so much to everyone who voted for us. We are very excited by all this emphasis on flash fiction in the Saboteur Awards. And if you love flash, the festival and these books, we’d be delighted if you could vote again for them to win.

It is a first for us to have a Bath Flash Fiction Anthology in the shortlist for the Best Anthologuy. In previous years we have made the longlist. We love the title With One Eye On The Cows and the cover of this our fourth Bath Flash anthology. And the stories within are stunning. 135 micros from world wide authors. You can see the gallery of where the author copies were posted to here. And here’s a review of it by writer Judy Darley. Read in Full