How can a woman sleep when the Master is in pain?
by Rosie Garland
In her room beneath the eaves, she listens. Laughter twists up the screw of the back stairs. The Master struggles to be heard above his wife’s shrill squeal. She knows how men are trapped in marriages; how women entice and steal what is not theirs.
Her cheek beats a heavy pulse against the Master’s bedroom door. She stretches the small hours with the pricking of her blood into the Master’s shirt cuffs. She unpicks the seams of the Mistress’s gowns, sews them a shade tighter. Slides a curtain ring along her finger.
The Mistress writes. It is poetry, says Mistress, although no question was asked. She heats the tongs; curls Mistress’s hair, peers at the dapple of ink on paper. She does not need the skill of letters to know the telltale shape of lies about the Master. All that twittering of the quill, when all a woman needs to do is spread her arms and cry, God. Yes.
She will show him. She will mend his prisoned heart. Will keep her eyes down and never laugh unless he draws it from her as a man persuades a shy beast to his outstretched hand.
When he is away, for men must go in order to return, the house-bones creak. At night, she sifts sugar into the ruts between the boards, loosens stair-rods, rubs the banisters with buttered paper, peels back the rug and polishes the floor. The half-hour before dawn finds her sharpening knives. She breakfasts on oats and water; doesn’t hold with honey, milk, things that distract the tongue’s attention. On the driveway beneath the yews, the crackle of rooks.
About the Author
photo credit Rachel Saunders
Rosie Garland is an award-winning writer of fiction and poetry, and sings with post-punk band The March Violets. With a passion for language nurtured by public libraries, her work has appeared in Under The Radar, Bare Fiction, The North, New Welsh Review, Rialto & elsewhere.
In 2012, she won the Inaugural Mslexia Novel Competition. Published as The Palace of Curiosities, it was nominated for both The Desmond Elliott and the Polari First Book Prize. Vixen was a Green Carnation Prize nominee. Her latest novel The Night Brother was reviewed in The Times as “a delight: playful and exuberant.” Find her at www.rosiegarland.com
Conor Houghton is a computational neuroscientist living in Bath, but originally from Galway. His fiction has appeared in the first Bath Flash Fiction Anthology, the 2017 National Flash Fiction Day Anthology, Bare Fiction Magazine and the Bristol Short Story Prize Anthology.
A Mancunian washed up in London, Tim Craig writes fiction for a living. But in his day job he calls it ‘advertising’ (and it usually has a phone number at the end of it). 
Ingrid Jendrzejewski primarily writes flash fiction and shortform work, and has published over 100 pieces since she started submitting in 2014. She has won sixteen writing competitions (including the Bath Flash Fiction Award and AROHO’s Orlando Prize for Flash Fiction), judged five, and has placed or been shortlisted in around fifty more. She is currently editor-in-chief at FlashBack Fiction and a flash fiction editor at JMWW. You can find her online at 
Amanda Huggins is the author of the flash fiction collection, Brightly Coloured Horses, published by Chapeltown, and the short story collection, Separated From the Sea, published by Retreat West Books.
