[No Audible Dialogue]
by Remi Skytterstad
The commotion and clamour of the airport is deafening. We are turned to lip-readers by the pack of people and their cacophonic humming composed and orchestrated by a medley of goodbyes / stay safes / I love yous.
Like a ray of sunshine through a patchy carpet of clouds, is our attention drawn to a child / boy / son. The crowd of the airport manoeuvring around him—a crop circle of bodies—in unobtrusive / comfortable / safe distances.
The child is fighting tears. His bottom-lip quivers, and it’s apparent he’s trying to be brave / strong / a big boy.
He is embraced by a man / soldier / father. Together they ripple like a wave when he breathes in his son’s hair, to treasure / remember / survive. And for a moment time slows inside their circle. The crowds bend past them like light around a black hole—a time lapse of bodies, around their sculpturesque scene. The quivering lips—now still—are stretched from cheek to cheek, in a frozen, soundless cry, revealing gritted milky teeth.
Like this we watch them, as the crowds pour and murmur around them, like a river around an islet.
A woman breaks their event horizon, and the boy and the man come alive again.
The son is nodding to the movement of the father’s lips. He straightens his back and wipes away the tears that forced themselves through—his skin darkened in their wake. He moves his mouth in whys / do you have tos / please don’ts.
When the man / soldier stands, he leaves—like the shed skin of a snake—the father around the neck of the son. A translucent outline of a man, only hinting at who used to hold the boy.
The boy is embraced by a woman / mother / widow.
About the Author
Remi Skytterstad is from Norway where he studies educational science. He writes in English as a second language. He is currently in recent issues of Barren Magazine, Flashback Fiction, and Lunate. Find him on Twitter @Skytterstad.
Claire Powell is a freelance writer from London. She has an MA in creative writing from the University of East Anglia where she was awarded the Malcolm Bradbury Memorial Bursary and the Malcolm Bradbury Continuation prize. Her short stories have been broadcast on BBC Radio 4, and published in The Manchester Review and The Standard Hotel Short Story Compendium. In 2017 she won the Harper’s Bazaar short story contest. She’s currently working on a collection.
Marissa’s flash was shortlisted at Bath Flash Fiction in 2018 and has been highly commended or shortlisted at Flash500, Flashback Fiction and Flash Frontier. In the past year her stories have been nominated for inclusion in Best Micro Fiction and BIFFY50. Recent work appears in New Flash Fiction Review, Milk Candy Review, Reflex Fiction, The Citron Review, StorgyKids and Bending Genres. She is a fiction reader for Atticus Review and tweets
Francis is from Cleator Moor in wild West Cumbria. He has worked with young people in Britain, Zambia and Malawi and along the way has compiled educational programmes; written scripts for radio and television; novels for young adults — The Dead are Listening “was a stunner… one of the most intelligent teenage stories to be published for some time.” — (Financial Times) and contributed short stories to several anthologies. In 2013 he was given the Observer Unsung Local Hero award for his environmental work. Most importantly, he has, with help, raised a beautiful family. He has recently discovered flash fiction.
Xavier Combe is a freelance conference interpreter and translator. He teaches at the University of Paris X. He has authored two non-fiction books in French (L’anglais de l’Hexagone and 11+1 propositions pour défendre le français) as well as op-eds in the French press. He writes and produces audio fiction with 2-time Peabody award winner Jim Hall on their website Muffy Drake.
Catherine Higgins-Moore is a Northern Irish writer based in New York. A former BBC journalist, she contributes to 
Michael Mcloughlin grew up in Liverpool, UK; but by the mid-80’s, he’d had enough of Thatcher’s regime and escaped to the brighter shores of Australia. He works in mental health and likes to write in his spare time. He’s quite new to flash fiction competitions and is looking forward to entering more of them. He has also recently completed a novel and hopes to find an agent. He lives in Hobart, Tasmania. 
Gaynor Jones is an award winning short fiction writer based in Manchester. She won the 2018 Mairtín Crawford Award and was named Northern Writer of the Year at the 2018 Northern Soul Awards. She runs the Story For Daniel competition to raise awareness of blood stem cell donation and childhood cancer support. 
Anita was born in Christchurch, the youngest of four children of Croatian parents displaced by the war. She now lives in Auckland. She began writing overnight in response to the Canterbury earthquakes 2011. Since 2012 she’s staged Inside Out Open Mic for Writers, a monthly spoken word gig for fresh writing, with musician guests. She won the Divine Muses New Voices Poetry Competition 2017. Anita convened a team that ran the NZ Poetry Conference & Festival 2017, a three day celebration of all things poetry including vispo (visual poetry), spoken word and cine-poetics. In 2018 she won the NZ Flash Fiction Day Competition with He, She, It, They, which was nominated for the Pushcart Prize this year. She‘s Auckland Chair for NZ National Flash Fiction Day 2019. Anita’s writing is published widely including Flash Frontier: an Adventure in Short Fiction; Bonsai: Best Small Stories from Aotearoa/New Zealand; Best Small Fictions 2019 and Best Microfiction 2019. She enjoys music, theatre, cryptic crosswords and spending time with family and friends; is fascinated by the natural world and craves beach-combing.
Stephanie Hutton is a writer and consultant clinical psychologist in Staffordshire, UK. Her fiction has been shortlisted for the Bristol Short Story Award, Aesthetica Creative Writing Award and the Bridport Prize. She writes psychological thrillers is and is represented by Sheila Crowley at Curtis Brown.