Our Small Press, Ad Hoc Fiction is privileged to be publishing Gaps in the light, the new book by poet and hybrid writer, Iona Winter from Aotearoa, NZ. Several of Iona’s flash fictions have been both longlisted and shortlisted in our Awards and published in the yearly anthologies and it is exciting to see a whole collection of her writing. In advance praise for the book, well-known NZ author Pip Adam, writes:
Gaps in the Light is an amazing work. It uses form in innovative ways to express deeply the experience of loss and joy in ways I can’t remember reading anywhere else.
We love the rhythm of the prose,the different forms used in the collection and the inclusion of the Maori language (with glossary) which adds a beautiful music and extra depth to the work. We’re looking forward to hearing Iona read the stories when she posts videos on her social media sites. In the very moving interview below, she tells us about the process of writing the collection and her son Reuben’s death soon after she had completed the manuscript. We are very glad that it is being published as one of the first books from Ad Hoc Fiction this year, on March 19th. Gaps in the Light is now available for pre-order at a 25% discount from Ad Hoc Fiction in paperback during the pre-order period, on pre-order at Amazon kindle. And it will also be available in paperback from Amazon worldwide on publication day. It is one of two new flash fiction collections published on 19th March and available for preorder now. The other is by US based writer Fiona J Mackintosh and it is wonderful to have new flash fictionbooks from writers in two different hemispheres.
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We’re delighted to share an interview with Johanna Robinson, who won first prize in the October 2020 round, which was judged by Nod Ghosh. The story plus two other listed stories of Johanna’s is included with all the other winners and longlisted writers who agreed to publication in Restore to Factory Settings Bath Flash Fiction Vol 5. released this week from Ad Hoc Fiction. Johanna was a runner-up in our Novella-in-Flash award in 2019 with her wonderful NIF, Homing. It is now available as an ebook from kindle as well as in paperback from the Ad Hoc Fiction Bookshop. Links to worldwide kindle are on the bookshop page. So if you want to read more of Johanna’s work, it is instantly available. We’re so interested to learn that her win, ‘Blessings 1849’, another historical piece, is a story which had been submitted into various competitions previously in different forms and had actually also been sent to BFFA before and not been listed. Johanna describes here how she edited it and we’d love to take up her offer to show the various versions of the story, in a new post on the site. It also gives encouragement to others, as she said, not to lose heart over a piece you are dedicated to. It might need working on, but it can still be successful in finding a home as a competition winner or in a magazine.
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Charmaine Wilkerson is an American writer who has lived in the Caribbean and is based in Italy. Her award-winning flash fiction can be found in the Best Microfiction anthologies from 2020 and 2019 and other anthologies and magazines, including 100-Word Story, Bending Genres, Fiction Southeast, FlashBack Fiction, Litro, Reflex Fiction, Spelk and elsewhere. Her story How to Make a Window Snake won the Bath Novella-in-Flash Award in 2017 and the Saboteur Award for Best Novella in 2018. Her debut novel Black Cake is due to be published in 2022. She is represented by Madeleine Milburn of the Madeleine Milburn Literary Agency. Read in Full
We’re delighted that Something Lost the brilliant novella-in-flash by Louise Watts which was specially commended in our 2020 Bath Flash Fiction Award is now available for pre-order with FREE worldwide shipping at Ad Hoc Fiction, our short-short fiction press. It will be released on November 9th. Read our 2020 judge, Michael Loveday’s comments on Something Lost in his judge’s report. The novella is the last of our series of novellas from the 2020 Novella-in-Flash Award up for pre-order and all of them will be released for sale on our bookshop and on Amazon by the end of the November.
We’ve quoted the synopsis from the back cover below. It’s a great read and another excellent example of this exciting form.
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With two weeks to go before the end of our 15th Award on June 7th, here’s another fascinating interview in our winners’ series, this time from Simon Cowdroy, second prize winning author in our February award judged by Santino Prinzi, to inspire all Last Minute Club writers. You can read Simon’s wonderful story ‘The Dissolution of Peter McCaffrey’ here and it will be published by Ad Hoc Fiction in our end of year anthology along with the other winners, shortlisted and longlisted writers from our 2020 Awards. Simon tells us more about his writing process and his influences which include other writers like Australian Clive James and also the landscape in which he lives, pictured here. We asked him about his striking use of language and think his comment that he strives to use ‘imagery derived from finding a powerful and unexpected way to frame the words’ is very good advice for others who want to write memorable flash. We also like his other tips at the end of this piece and his suggestion to ‘write as if it is your last chance to do so’. It was great to meet Simon at the Flash Fiction Festival last year and hope that when we hold the festival again (fingers crossed for such events), he can come again all the way from Australia, and we can hear him read it. Read in Full
Erica Plouffe Lazure was a runner up in the 2020 Bath Novella in Flash Award with her brilliant novella, Sugar Mountain .
You can read Michael Loveday’s judge’s comments on the novella in his report linked here. And Flash Frontier has posted a video of Erica reading a story from the novella which gives the flavour of the whole story, on the Flash Frontier You tube channel as part of the lead up to National Flash Fiction Day in New Zealand. In this fascinating interview, Erica talks about her writing process and how she finds time to write flash in her busy teaching year. Plus some great tips for those who want to embark on writing a novella-in-flash. We are very much looking forward to seeing Sugar Mountain in print, when it is published by Ad Hoc Fiction later this year. Read in Full
Tracey Slaughter’s brilliant novella if there is no shelter was one of two runners-up in the 2020 Novella-in-Flash Award judged by Michael Loveday. You can read Michael’s comments on the novella in his judge’s report and more about Tracey on our winners’ page.
We are asking the same questions of all our winners and commended authors and it is fascinating to read that Tracey’s novella was inspired by a list of emergency instructions at work and particularly the one phrase ‘if there is no shelter’ that ended up being the title of the novella. For those writing novellas, Tracey has the great advice to ‘Banish doubt and trust the voices and don’t give up on those beautiful damaged characters’. We are so looking forward to seeing her novella in print. It will be published by Ad Hoc Fiction later this year.
- Can you give us a brief synopsis of your novella in flash?
if there is no shelter follows a young woman trying to pick up the pieces of home in the aftermath of an earthquake. As we trace the faltering steps she takes to try to restore her life, we discover the wreckage she was already leaving in her wake before the earthquake struck…a lover, a husband, the letter left stranded in a red-zoned building she cannot re-enter.
A poster pinned over the sink in the tea-room at work, where I found myself blinking, burnt-out between classes, clutching my cup with a thousand-yard stare – a stained & peeling list of emergency instructions that included the heading ‘If there is no shelter.’ That was it: somehow the heroine spoke, & started bringing her fragments to the surface…
- I am sure readers who are interested in writing in this form would love to know more about your writing process. Did it take some time for you to arrive at the final order for example?
Although the first pieces of this story arrived in intense, almost instantaneous flashes, conditions of life (which overturned not long after I embarked on writing) left the further construction of the work suspended, sometimes for months at a stretch. The forgiving form of flash (hallelujah!) could cope with the ongoing disruption, & allowed me to focus on each piece I could achieve within my narrow windows. In many ways, it even seemed to echo the chaos surrounding the heroine – I had to scratch for time, pick through scattered pieces, splice a story together from precious remains. In the end, it wasn’t so much order that I knew it needed to witness, as disorder, the truth of fracture – I had to trust that the story should be left to reflect shattering.
- All this may have changed in the present circumstances, but do you have a special place/time to write where you live? Music on or off? Pets as distractions or muses?
Silence, distance, solace, isolation, refuge from the million other pressing demands of life: I can’t seem to write unless I’m alone with my characters, tuned to their voices, breathing in their fates. I remain in awe of anyone who can tap the keys at a café table – I’ve always been secretly convinced they’re faking it!!! But yes, the present conditions are a taste too much loneliness…& with working online the static has just come home!
- And following on from the last question, if you like. If you had a soundtrack for your novella, what sort of music would be playing?
The haunting dissonant industrial poetry of the artist I.E.Crazy – as soon as I heard her twisted original ballads I felt like my book was singing back at me!
Pitfalls and pleasures of writing in this form?
Pleasures: that flash can take you in a rush, plunge you into a character’s senses, keep you fed on bursts of electricity, even when life holds scant time for sustained writing. I thrive on the little fixes it gives, the short stints it lets creativity off the leash, so there’s always a quick source of exhilaration in a schedule that sometimes doesn’t leave much breathing space. And pitfalls: I don’t know if there are any. I find that flash is the central atom of the short story mode, so it’s never wasted, whether the piece stays distilled in a single flash or keeps detonating in a series of ongoing explosions.
- Your best tips for those wanting to embark on a novella in flash for our next Award?
Banish doubt & trust the voices & don’t give up on those beautiful damaged characters & what they need to speak, not for an instant – I nearly caved-in & let go of this story, because it was largely composed during crisis, nearly listened to the offscreen murmurs of fears that were waiting to form a cold chorus. Shut that damned descant out the writing room & do it anyway. You can always fend them off for the space of the next flash.
We’re delighted to publish Mark Budman’s review of The Best Small Fictions 2019. We nominate Bath Flash Fiction Award winners for this prestigious anthology each year. And in the 2019 Anthology we were thrilled that our October 2018 first prize winner, Fiona Mackintosh’s historical flash fiction, ‘Siren’, was selected by the editors as was ‘When The Rubber Hits The Road‘ our second prize winner from the February 2018 Award by Lee Nash There are also stories by Flash Fiction Festival Team members and workshop presenters Karen Jones, whose story Mark mentions, Meg Pokrass, whose magazine New Flash Fiction Review is also featured in the anthology, and Santino Prinzi, who is also the judge of of our 14th Award, which closes on Sunday 16th February.
Mark Budman has been prominent in the world of flash fiction for many years as a writer and as the Editor of Vestal Review and it is interesting to read how he thinks the quality of flash fiction is improving year by year and how this anthology contains such memorable examples of the form. Exciting times for flash!
Paperback: 432 pages
Publisher: Sonder Press (November 5, 2019)
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