News

Bath Flash Fiction Award Vol 10 now published!

We’re excited that the much delayed Bath Flash Fiction Award Vol 10 with stories from the three 2025 Bath Flash Fiction Awards is now published by Ad Hoc Fiction. Thank you to all contributors for their patience. The title, How to Fold A World Map is the title of a flash by Tiffany Harris a very moving story, which you can read here as well as in the anthology as it received a highly commended prize in February 2025. We love the image on the cover, an ancient beautifully drawn world map.
Those who accepted publication from the longlist of fifty stories from each round of the competition came from all over the world, and we thought it was a fitting title. Wonderful world-wide fictions folded together in one volume of 133 stories.

We’re launching the 2025 anthology with readings on the Saturday evening at the Flash Fiction Festival, July 17th-19th in Bristol and will hear from some winners, shortlisted and long listed writers. Quite a number of contributors coming to the festival will be able to pick up their free copies there. And we’ll be posting others out. There are still full or day places available at the festival if you want to come last minute. Booking at flashfictonfestival.com
How to Fold a World Map is available to buy on Amazon world wide in paperback. Ad Hoc fiction has provided links straight to purchase in many different countries.

Results of the June 2026 round of the Bath Flash Fiction Award will be out on Tuesday 30th June and many of those long listed have already accepted publication. When the October round is complete, we hope to be back to normal with our publishing schedule and have volume 11 out by the end of this year, or early next.

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BFFA 2026 Novella-in-Flash Winners published!

We’re thrilled to announce that the winning novellas-in-flash from the 2026 Novella in Flash Award are now published on Amazon worldwide in paperback.

Winner: Unhoused by Victora Melekian from the USA
Runners-up. The Hilltop Hour by Joanna Campbell from the UK
and How to Get There From Here by Beth Sherman.

We love the covers, all from fabulous images/designs supplied by the authors.

Read Jude’s judge’s report and more about the authors here and more about the novellas below:

Paperback copies of these new novellas will be available at the flashfictionfestival.com bookshop and at other events organised by Bath Flash Fiction and Ad Hoc Fiction. If you are not attending the festival and would like to buy one of these fantastic novellas, the book titles link to Adhocfiction.com and Amazon in many different countries. One click sends you straight to the correct page!

Winner: Unhoused by Victoria Melekian

“Devastating and wise, Unhoused chronicles terminal illness, grief, and dark family secrets—but also human strength and the miraculous joy of community care. Each snip of prose is a quiet heartbreak. I am shattered again and again. But in the connections and in the space between these carefully observed and emotionally resonant stories, a greater tale of resilience and hope emerges. I kept thinking as I read that this is what a novella-in-flash is meant to do.
—Allison Wyss, author of Splendid Anatomies

“This is what I love most about flash—the way it keeps unfolding inside you long after you’ve finished reading. Unhoused, Victoria Melekian’s stunning novella-in-flash, does exactly that. I closed the book with hope for these characters—and for all of us—and a deeper sense of our shared humanity. This book is a beautiful entry point for new readers of the form, and a gift to those who already cherish it.”
—Judy Reeves, author of A Writer’s Book of Days

Runner-up: How to Get There from Here by Beth Sherman

“Swimming in swirling waters of dementia, this story chronicles things we lose, from car keys to memories of fireflies, and things we try to hold onto, from our sense of self to our sense of safety. Beth Sherman explores daughter-mother experiences in novella-in-flash moments, sometimes harrowing, sometimes comical. How to Get There from Here navigates these waters with a deft hand, and demonstrates how the deepest nurturing happens in the quiet spaces between.”
– Michelle Elvy, author of The Other Side of Better

With clear language that shifts easily between everyday moments and more lyrical passages, Sherman writes with honesty and restraint, making the emotional weight feel real without being overwhelming. This is a moving, accessible portrait of memory, loss, and the fragile bonds that remain even as so much slips away. A book you won’t want to miss.
– Francine Witte, Pushcart winning author of Radio Water

Beautifully crafted in luminous prose and fully grounded in its coastal location, How to Get There from Here is an unflinching yet tender story of how Lauren must now parent her mother.
– Jupiter Jones, author of The Hyena’s Daughter

Runner-up: The Hilltop Hour by Joanna Campbell

“This novella-in-flash tells the story of Cassie and Susan, both of whom contracted polio during one of the last outbreaks in the UK in the 1970s. Joanna shows how Cassie, a young girl of eleven at the time, and Susan, a newly qualified teacher, manage the experience of being in an iron-lung and learn to breathe again. After they leave hospital, we follow their different journeys as they slowly manage without the ventilator and each make a new life. This engrossing novella is striking in many ways, not least in how vividly it portrays life inside an iron lung and how frightening and painful it is to breathe unaided.”
— Jude Higgins, judge of the 2026 Bath Novella-in-Flash Award

And keep an eye open for more book posts: The delayed 2025 Bath Flash Fiction Award Anthology Vol Ten will be on the adhocfiction.com site very soon as will the delayed 2025 Flash Fiction Festival Anthology Vol Eight.

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Short List BFFA June 2026 Award

Congratulations to the twenty authors who have made our Award short list (titles listed below) selected by judge Alison Woodhouse.

Author names are yet to be announced, so while it is fine to share that you are on the short list, we do ask that you do not identify yourself with your particular fiction at this stage. Results out by end of June.

Read in Full

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Longlist BFFA June 2026

Congratulations to all the authors who have made our Award long list (titles listed below) and huge thanks to all who entered.

Author names are yet to be announced, so while it is fine to share that you are on the long list, we do ask that you do not identify yourself with your particular fiction at this stage.

Important
We receive many many entries, and occasionally some entries have the same title. We are in the process of sending an offer of publication email to all authors on the long list. Please do not assume you are on the long list unless you have received that publication offer. If in doubt, contact us.

Read in Full

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Last Day to enter the 33rd Award!


It’s the final day for last minute writers! Thank you to everyone who’s entered already and for those who have plans to enter today, Sunday 7th June. At the time of posting this (12.01 am) you have 24 hours left to enter. The Award ends at midnight BST

The prize fund is £1460 for flash fictions up to 300 words. The judge this time is Alison Woodhouse, award winning writer and writing teacher from the UK. Results out by the end of June. Publication offer for the fifty long listed writers. One entry £9.00, two entries £15.00, three entries £18.00.

This time, instead of a last minute club badge, we’re offering a three free entries to the 34th round for the first 3 people who contact us at assist (at) bathflashfictionaward (dot) com and let us know by Monday 8th June, that they have entered at least twenty awards since we began (including this one). We’re trusting you on this as we don’t have Paypal records back that far (2015)!! We can check back a few years only.

Why have we stopped issuing the Last Minute Club badges? Because Jude used to get people to share their badges on X and now , because of its owner, she doesn’t use that platform anymore for Bath Flash or other accounts. We’re on Bluesky but Socials don’t have the same buzz as back when we began sharing badges in June 2018.

As an inspiration for a last minute entry, you could include something in your story that will make our readers smile! I rather liked seeing Smile written on a pavement near a bus stop in Bristol recently

Best wishes for a final sprint!

Jude

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Fly High with Flash this June!

There’s so much going on in June for Flash Fiction fans! First, our £1460 prize fund 33rd Award for up to 300 word flash fiction ends on Sunday 7th June, with the final results out by the end of the month.

Grant Faulkner has just launched Flash Fiction June as part of the Flash Fiction Institute with a free workshop on June 16th, the flash gym and a flash open mic.

Matt Kendrick has launched the Welkin Genre Prize micro competition for four categories of genre writing for 100 word stories. Closes 30th June. Plus he is offering two Welkin Press Micro workshops on Thursday 4th June and Thursday 11th June respectively.

If you are coming to the flash fiction festival in July, in Bristol, you can enter the Pokrass Prize by 21st for a chance of a £50 cash prize and books.

National Flash Fiction Day UK is taking place on Saturday June 13th with the incredibly popular Flash Flood and Write- In, happening during the day.

National Flash Fiction Day New Zealand is posting the winners of their Micromadness contest one a day until June 21st, National Flash Fiction Day New Zealand. And other events to celebrate the day will be announced soon.

Check out all the links for inspiration!
And why not use the picture of a balloon resting by the little toll house near Jude’s house to prompt you to take off and reach new heights with your stories!

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A Birthday wish

It’s just ten days to go until the £1460 prize fund 33rd Award, ends on Sunday June 7th. Thank you to everyone from around the world who has submitted so far.

It’s my birthday today and I am even more of an old person now. My birthday wish for the current Award is that we have a last minute rush of positive stories about the process of aging. Writers very frequently submit stories about old people suffering with dementia or being alone after loss of loved ones. There are also a lot of stories from the point of view of a grieving family member after a grandparent or parent has died. There are excellent stories on these subjects. And there are many different angles to take. But there are hardly any submitted about people in good health having vibrant creative lives as they grow older or having funny or interesting relationships with others.

It’s always great in a competition to read a flash on a new subject that is cheering or hopeful. For myself, I hope I can carry on my writing projects for many more years. I founded Bath Flash Fiction Award eleven years ago when I was in my mid sixties and the flash fiction festival weekend that I direct has been going strong since 2017. I’ve also written a lot of flash fictions during this time. I am not intending to stop anytime soon.

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Your Two Weeks to Go Prompts

It’s just over two weeks to go until the deadline of our June Award on Sunday, 7th June at midnight, BST. Still time to write and refine.

Kathy Fish, in one of her recent substack posts talked about the value of prompts. Not to be sniffed at. I have asked many judges for BFFA and also prize winners to give prompts. Here are a few of them to get you going or help you carry on further. Read in Full

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Q & A with Shelley Roche-Jacques, 1st prize winner, 32nd Award

With just over three weeks left until the deadline for our 33rd Award, on Sunday June 7th, here’s a really interesting interview with Shelley Roche-Jacques who won first prize in the February Award. She talks about how the story came into being and the ways she worked on it, tells us about her other writing and teaching and gives some great advice on writing entries for a competition. Read her first prize winning story linked below. And judge Ingrid Jendzrejewski’s comments on it and the other winners.
Read in Full

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Alison Woodhouse, judge of our 33rd Award


Bio Alison Woodhouse is a writer, teacher and mentor based in the Southwest, currently in her 3rd year of a funded PhD in Creative Writing, exploring polyphony. In 2026, she was awarded a UKRI fellowship to conduct 3-month archival research into the writing process of contemporary authors, including Kazio Ishiguro and Rachel Cusk, at Texas University, Austin. Her short fiction has won a number of competitions, most recently Mslexia, and many other pieces have been placed or shortlisted and are widely published both in print and online. Her debut Novella in Flash, The House on the Corner, was published in 2020 by Ad Hoc Fiction and is available from Amazon in kindle and paperback formats, her flash fiction collection, Family Frames, was published in 2021 by V Press.

We’re delighted that Alison Woodhouse, an award winning multi-genre writer and writing tutor from the UK is judging our next award which closes on Sunday 7th June (in 6 weeks and three days currently). Below, Alison writes about her recent three month research residency in Austin Texas the flash fictions she loves, and about her own writing process, (she has recently been successful in several writing prizes including the Mslexia Flash Fiction Prize and an honourable mention in the Fish Flash Fiction Prize). On this site, you can also read ‘When we Expect Nothing” the flash fiction story from the February Bath Flash Fiction Award which received a special mention. Finally, do check out Alison’s interesting writing prompt at the end of this interview which may spark off a story to enter for the June Award.

Interview

  • You have just finished a 3 month research residency at the Harry Ramsden library in Austin Texas. Can you tell us more about it and what your main takeaways are from the research experience.
    I was very fortunate to receive funding from the UKRI but when I wrote the proposal I wasn’t entirely sure what I would be doing for 3 months! My plan was to read about the writing processes (through journals/marginalia/edits) of a number of contemporary authors (Kazio Ishiguro, Rachel Cusk, JM Coetzee and Julian Barnes initially) and see what happened. It turned out to be incredibly absorbing and inspiring. I would reread the novels, read the journals and papers in the archives then apply some of the techniques on my own drafts. I felt as if I was in constant dialogue with these other writers as they worked through the fictional problems thrown up by their multiple drafts.
  • While you’ve been there, I think as well as your research you have been working on your PHD novel and writing short fiction. Is this a novel in flash fiction?
    I’m not sure yet but it’s certainly using a lot of flash techniques and white space ☺ I did use the time to write a number of new flash stories and revise some short stories. I had so much space and time to write, I didn’t want to waste a second!
  • You have been successful in securing funding for a PHD at Bath Spa University as well as the prestigious residency. What advice would you give others applying for residencies and funded PhD’s in writing.
    Go for it!! Never believe you’re too old or not successful enough (yet!). We all have imposter syndrome but you have to ignore it. And you don’t always need to know everything in advance. Dream as big as you dare.
  • Your recent wins (first prize in the Mslexia Flash Fiction Award and a special mention in Bath Flash Fiction Award plus an honourable mention in the Fish Flash Fiction Prize) suggests that you are currently interested in experimental fiction with subtle layers and allusions. Would you say that was the case?
    I’ve always enjoyed experimental fiction and I think flash is perfect for this as most of the story happens off the page (the iceberg theory but also the idea of ripples gathering meaning through connections the reader makes). I do work hard at this in my own fiction as I love building resonance and using metaphor and symbolism (there’s a danger of course of going too far and making the story too abstruse or ‘difficult’ and alienating the reader). I also love the sounds words make across a story, how they can echo and gather multiple meanings across the story. But a flash still needs movement so I’m very aware of change occurring between the opening and closing sentences.
    This is related to the previous answer but a story that holds something back for the reader to discover usually gives me a great deal of reading pleasure. It definitely doesn’t have to be surreal, poetic or mystical; it can be misdirection or comic timing or anything that creates a sense of several things happening at once, adding depth and weight. It’s worth adding that I don’t have to understand everything, it’s not a puzzle I need to solve to feel satisfied, but it does need an internal logic for me to believe it. Having said all that I can really love a story that uses a strong voice, is political, historical, funny, strongly plotted. I guess in the end, I’m always looking for a well written story where I trust the writer and that’s when I want to reread and do a more critical deconstruction, thinking about (marvelling!) how this has been achieved! Especially in 300 words! That’s magic!
  • Finally, can you give writers a prompt to spark off a flash fiction story 300 words or less for our award?
    Certainly. I’ve talked about the meaning of words and movement as being important elements in flash. For this prompt start off by thinking of a homonym (a word spelt the same but with different meanings ie bank) and write a paragraph for each meaning then a final paragraph where you try and bring it together. Don’t worry if they won’t (although you could write about a financial institution on the side of a river ☺) but this might give you the seed of a place or a tension between meanings that could be fruitful and there’ll be movement inherent in the separate paragraphs. Good luck and I’m really looking forward to reading the longlist!
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