133 short short fictions selected from the winners, short listed, and long listed authors from the three rounds of the 2018 international Bath Flash Fiction Awards. All 300 words and under, these stories are by writers representing over twenty different countries. Experimental fictions exploring many different themes and subjects which show the variety possible in his exciting and continually developing genre.
“Writers flowed but did not meander. I went to places I haven’t been before, and I was shown ordinary objects in a different light, heard language used in a new way, smelled new smells, felt new feelings.”
Tara L. Masih, novelist, short story writer, editor of The Rose Metal Press Field Guide to Writing Flash Fiction, author of My Real Name Is Hanna
“A fascinating dip into the psyche of creative writers at this point in time… lots of examples of great writing here, by great writers.”
David Gaffney, novelist and short story writer. Author of More Sawn-Off Tales, All The Places I’ve Ever Lived, The Three Rooms in Valerie’s Head
“The standard was high… powerful writing and interesting themes… a feeling that many writers were working hard and pulling from deep resources.”
Nuala O’Connor, novelist, poet and short story writer. Author of Joy Ride to Jupiter, Miss Emily and Becoming Belle
196mm x 134mm, 168pp
Paperback ISBN 978-1-912095-63-6
£9.99 GBP Buy Now
Vanessa has won multiple awards for both prose and poetry, including a Bridport Prize and the Troubadour. Her flash publications include Ed’s Wife and Other Creatures (Liquorice Fish Books) and the weird/irreal collection Nothing to Worry About (Flash: The International Short Short Story Press at Chester University) as well as many individual publications online and in print. She is author of three short story collections (with Salt and Cultured Llama), a novel (Bloomsbury), and two poetry publications (Pighog and Cultured Llama). She is also commissioning and contributing editor of Short Circuit, Guide to the Art of the Short Story (Salt). She teaches widely www.vanessagebbie.com.
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This was our tenth award and we thank everyone who entered. Nine hundred and thirty four fictions from thirty-two different countries:
Australia, Bahrain, Belgium, Brazil, Bulgaria, Canada, Cook Islands, Cyprus, Denmark, Egypt, Finland, France, Germany, India, Ireland, Israel, Italy, Japan, Netherlands, New Zealand, Nigeria, Philippines, Poland, Slovenia, South Africa, Spain, Sri Lanka, Sweden, Switzerland, United Arab Emirates, United Kingdom, United States
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It’s always a privilege to judge a literary competition, as judge you’re seeing what’s white hot, what writers are writing about now and the way they’re writing about those things. If the long list is representative, popular occupations in 2018 include predatory stepfathers, lost love, childhood traumas, and more benign childhood memories featuring, particularly, the smells of youth. War and dead babies feature too, as they usually do in story competitions. A lot of stories were written in the second person, a POV I have a strong attachment to. Second person alone, though, is not enough to carry a piece if there aren’t several other things going on, in terms of language and story.
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