Joanna Campbell was one of the two runners-up in our inaugural Novella-In-Flash Award judged by Meg Pokrass earlier this year. Her novella A Safer Way to Fall plus How to Make a Window Snake by our winner Charmaine Wilkerson and Things I Dream About When I’m Not Sleeping, by the other runner-up, Ingrid Jendrzejewski, were published together in one anthology, in time to be launched at the Flash Fiction Festival in Bath in June 2017. Joanna wasn’t able to attend the event but we were very pleased that she could come and read at a Flash Fiction Evening of Readings at St James’ Wine Vaults, Bath in May. A Safer Way to Fall is an historical piece spanning traumatic events concerning a family pre and during World War Two, and the subsequent devastation wrought upon the family. She is pictured here reading ‘Counting’ a very tense and moving flash fiction from the novella, where one of the main protagonists is in a line-up facing a firing squad.
Below, Joanna tells us how she came to understand the form and discovered a thread, which she could form into a novella, from flash fictions she had written during the previous eight years.
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A multi-talented creative artist, Catherine is an inspiration in many ways. Here she tells us how being immersed in the culture of former pit villages, and a vintage picture of boys playing outside Elsecar Colliery, prompted her second prize winning story ‘
We were fascinated to read that our first prize winner, Rose McDonagh, is a late night writer and has written almost every day since she was fifteen. Her winning piece was drafted in a community writing group she runs, inspired from one of her own exercises. She says, although it’s not always about getting published, a story gets “half its life from its author and half from being read and understood by other people.” Many writers have commented on the meaning of
The third instalment of one of the most popular and esteemed series of flash fiction anthologies, The Best Small Fictions 2017 (Braddock Avenue Books, 2017), is an essential read for every flash fiction writer or reader. From Matthew Baker’s island of presidential doppelgangers to Harriot West’s ekphrastic haibun story about Van Gogh’s sunflowers, each of the pieces in this anthology proves that writers are not only continuing to produce high-quality flash fiction, but that the imagination and scope of flash fiction is far-reaching, whether writers choose to explore the uncharted or re-invent the wheel.