Author Archives: Jude

June 2021 Long List

Congratulations to all the authors who have made our Award long list and huge thanks to all who entered.

Author names are yet to be announced, so while it is fine to share that you are on the long list, we do ask that you do not identify yourself with your particular fiction at this stage.

Important
We receive many many entries, and occassionally some entries have the same title. We have sent an offer of publication email to all authors on the long list. Please do not assume you are on the long list unless you have received that publication offer. If in doubt, contact us.

Read in Full

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Inside Fictional Minds: Q & A with Dr Stephanie Carty

Dr Stephanie Carty is a writer, NHS Consultant Clinical Psychologist and trainer with a qualification in teaching higher and professional education. Her fiction is widely published and has been shortlisted in competitions including the Bridport Prize, Bath Flash Fiction Award, Bristol Short Story Prize and Caterpillar Story for Children Prize. Her novella-in-flash Three Sisters of Stone won Best Novella in the Saboteur Awards. She is represented by Curtis Brown

We’re very excited that our small press Ad Hoc Fiction is publishing Stephanie Carty’s’s guide book Inside Fictional Minds, which is now available for pre-order from Ad Hoc Fiction at a 25% discount during the pre-order period and released on June 24th.

Below, Stephanie explains how the guide book came into being, what it contains and how to use it. Stephanie will also say more and answer questions in a mini ten minute spot at 2.30 pm BST on the next Great Festival Flash Off day, June 26th and Jude Higgins, representing Ad Hoc Fiction, is hosting a launch of the book on Zoom on Saturday, July 3rd from 8.15 pm – 9.15 pm BST.

At the launch, we will hear from Stephanie, Louise Ryder, psychotherapist and the artist who painted the beautiful cover. Also five writers of short and longer fiction: Rachael Dunlop; Neema Shah; Wiz Wharton; Sarah Moorhead and Melissa Fu who have all attended Stephanie’s Psychology of Character in Writing course and will read extracts from their works saying how they used her suggestions, also covered in her new guide, to deepen their characters.

Everyone is welcome to come to the launch – flash fiction writers, short story writers and novelists. And anyone else who is interested in learning more about this fascinating new book.
Email Jude {at} adhocfiction {dot} com asap for a link.

Q & A with Dr Stephanie Carty

  • You have been running your courses on the Psychology of Character in Writing for several years now and they have been very popular for writers of long and short fiction.
    Can you tell us more about what gave you the idea for devising these courses?
    It’s the perfect combination for me of applying what I’ve learnt as a clinical psychologist to my other love which is writing. What I’d noticed in some stories and novels was that lots of thought appeared to have gone into creating an interesting character with quirks, desires and emotional reactions but that sometimes their behaviours didn’t add up or a sudden change in them jarred as unrealistic. Once I started to run the Psychology of Character course, it was clear that many writers had not thought in depth about why their characters acted the way they did or what it would take to change their patterns. From the very first practice session, the feedback of how much of a difference it made to attendees to learn a little bit about some key components of how humans develop, act and grow encouraged me to continue.
  • The book is a complement to your face to face and online courses, but it is also something that writers can use separately from them. Can writers can dip in to, or is it something to work through from the beginning?
    What I love about the book is that it covers a wide range of ideas followed up by tasks to put ideas into practice so there should be something relevant for every writer and every story. I’m certain that people will use it according to their own style – some will want to read from cover to cover for an overview whereas others may already have in mind where their gap or uncertainty lies for a particular character. I’d actually recommend reading the whole book from start to finish without doing any of the tasks first. That will allow a writer to have a ready-made framework of how elements interact with one another. Then choices can be made about which sections to work on thoroughly using the questions posed to deepen understanding and bring the learning to life.
  • I think you have 48 exercises in all to try out in the book. What would expect writers to discover having completed them?
    There are actually 123 questions divided into 48 sets of tasks – far more than I’d expected there to be when I started to plan the book! To me, the active element of Inside Fictional Minds is crucial to its usefulness and sets it apart from some other resources that are more academic in format. The focus is on everyday behaviours,, emotions and unconscious mechanisms rather than extremes such as serial killers. So the tasks should lend themselves to any setting,, genre or length of story as people are people! I think one of the most interesting things for writers will be seeing how topics that may seem separate actually all impact on one another to create complex, interdependent factors that make their characters who they are..
    Several of the beta readers also stated that they learnt about themselves!

  • Can you say how thinking about character development is useful even for micro fiction?
    I think in very short fiction it can be a challenge to find room for character development. One method is to show your character’s defence mechanisms in action. In my upcoming short fiction collection The Peculiarities of Yearning, many pieces rely on a shift in an emotion or longing moving from unconscious to conscious awareness.. The character deals with this by a displaying a behaviour (defence mechanism) that aims to push this emotion or longing back down. If the defence works, you can have a tragic ending where the reader sees what’s missing even as the character denies it. If the defence doesn’t work and the hidden aspect breaks through, then the character has displayed some momentary insight or change. That’s ‘big enough’ for very short fiction and hints at greater development being possible outside of the story.
    My flash Cosmina Counts was awarded third prize in Bath Flash Fiction Award. As a standalone flash, I think it uses aspects covered in the book and gives glimpses into the internal world of a trafficked woman by demonstrating her defences, her longing that slips out, clues to her trauma and a return to her pushing the pain away with more defence mechanisms.
    Finally, very short fiction requires the writer to condense so much rather than spell things out. Each sentence is a chance to show the reader the world through the character’s ‘glasses’. Word choice and what is focused on versus what is omitted works really well in flash to demonstrate the character’s internal world, which I give some examples of in the book.
  • Can you tell us more about the the advantages for character relationships in novels and novellas?
    There is huge scope for character development in longer form writing. For example you can show the bumpy ride to change that is realistic rather than sudden revelations or change.. Realisations and beliefs are not equal to behaviour and personality change. There’s an ebb and flow to how we change. The book covers areas such as perfectionism, narcissim, social roles, being a people pleaser as well as a focus on the way that characters experience (and forbid) certain emotions and beliefs. Long form writing allows the character to dip their toe into alternatives, or ‘peel off the armour’ briefly as I explain in the book..
    My flash Cosmina Counts is actually a chapter from my second novel. I have the luxury over the course of an entire book to flip forward and back in time to account for Cosmina’s behaviours and then move her realistically from a mindset of revenge and isolation towards facing reality and accepting the help of others. Such a significant change could only work across multiple chapters because it’s human nature to resist our painful, hidden aspects coming to the surface. My longest chapter in Inside Fictional Minds focuses on change. Longer form provides the space to really delve and deliver without relying on so much interpretation of the reader. Working through the tasks in Inside Fictional Minds should provide a series of insights that although small on their own, can build into an overall picture of a deeply believable and developed character that resonates with readers.
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Pre-orders open for Echoes in a Hollow Space, by Ruth Skrine

    We’re delighted that Ad Hoc Fiction is publishing Echoes in a Hollow Space, a novella-in-flash from Ruth Skrine, Ruth turned to writing fiction in 1999 when she retired from her long career in the medical profession. She completed an MA in Bath Spa University and since then has published several novels and a memoir. In 2017, at the age of 87, she began writing flash fiction inspired by Ad Hoc Fiction’s weekly micro contest and a writing class on flash fiction run by Jude Higgins. Many of her micros were published in the weekly Ad Hoc Fiction ebook, and her flash fictions have been published in And We Pass Through, the 2019 NFFD anthology; Flashfrontier and Free Flash Fiction. In this Q & A with Jude, Ruth tells us more about the inspiration for her book and in advice for the older writer at the end says:

    All creative work is life-saving in old age. One is never too old

    Back and front cover. Picture of woodland with a hollow space, where title is placed Echoes in a Hollow Space is available at a discount of 25% for the preorder period and will be published on 31st May. It is also available for pre-order as an ebook on kindle and will also be available to buy as a large print format paperback from Amazon at the end of May. Read in Full

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Round- Up, 2021 Novella in Flash Award

Thank you to all those who entered our fifth yearly Novella-in-Flash Award. We received just over one hundred entries from around the world, about the same number as last year. It’s a difficult genre to write in, and we very much appreciated the range and variety within the entries both in style, setting and subject matter. There were many themes about relationships and family and also wider political issues and contemporary concerns. It was so enjoyable reading them and making the decisions, although hard, on which ones to include in the long list of twenty-five novellas. Michelle has written a wonderful report with comments on her process of selecting for the short list and choosing the winning novellas. We thank her very much for the extreme care she took over this process; many, many hours mulling over the choices for the shortlist and then choosing the three winners and two commended authors.

We love the novella-in-flash ‘genre’ at Bath Flash Fiction Award, and are so pleased that Ad Hoc Fiction is able to publish the entire short list of ten novellas this year. Many congratulations to all authors: our first prize winner, David Swann; our two runners up, Tom 0’Brien and Al Kratz; the two highly commended Hannah Sutherland and Sudha Balagopal and the five shortlisted authors; Michelle Christophorou, Debra Daniel, Tracy Fells, Jupiter Jones and Ali McGrane. You can read the biographies on our winners and shortlisted writers pages on this website and we will be publishing short interviews with them soon.

We are also much looking forward to seeing all these novellas in print to join 14 novellas-in-flash series already published by Ad Hoc Fiction since we ran the inaugural Award in 2017. Hopefully, the books all be available from Ad Hoc Fiction in paperback and from Amazon worldwide in paperback and digital versions by the end of this year or early next year. We will keep you posted.

The 2022 Novella in Flash Award will be open soon.

Jude Higgins
April 2021

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Novella-in-flash 2021, shortlist

Congratulations to all our shortlisted writers. As well as the 2021 winners and highly commended, Ad Hoc Fiction will be publishing these five wonderful novellas-in-flash by the authors below.

Kipris by Michelle Christophorou
Michelle Christophorou was born in Lancashire, UK to a Liverpudlian mother and Greek-Cypriot father. Her stories have won and been placed in various contests, including Strands International Flash, Retreat West Fire-themed flash and micro competitions, Funny Pearls UK (twice runner-up) and Blinkpot. Her story, ‘Wearing You’, published in National Flash Fiction Day’s FlashFlood journal was included in the BIFFY 50 list of best UK and Irish flash 2019/20. In another life, Michelle practised law in the City of London. Tweets @ MAChristophorou

A Family of Great Falls by Debra Daniel
Debra Daniel, from South Carolina, sings in a band with her husband. Publications include: The Roster, (AdHoc Fiction, highly commended for the Bath Flash Fiction Novella-in-Flash, 2019), Woman Commits Suicide in Dishwasher (novel, Muddy Ford Press), The Downward Turn of August (poetry, Finishing Line) As Is (poetry, Main Street Rag), With One Eye on the Cows, Things Left and Found by the Side of the Road, Los Angeles Review, Smokelong, Kakalak, Emrys, Pequin, Inkwell, Southern Poetry Review, Tar River, and Gargoyle. Awards include The Los Angeles Review, Bacopa, the Guy Owen Poetry Prize, and SC Poetry Fellowships.

Hairy on the Inside by Tracy Fells
Tracy Fells was the 2017 Regional Winner (Europe and Canada) for the Commonwealth Short Story Prize. Her short fiction has been widely published in print journals and online, including: Granta, Brittle Star, Reflex Fiction, Popshot, Firewords and the Bath Flash Fiction Award anthologies (2019 & 2020). She has been shortlisted for the Bridport and Fish Flash Fiction prizes, placed in the Reflex Fiction competition and Highly Commended in the NFFD Micro competition (2016 & 2020). She alsowrites novels and was a finalist in the 2018 Richard & Judy ‘Search for a Bestseller’ competition. Tracy tweets as @theliterarypig.


The Death and Life of Mrs Parker by Jupiter Jones
Jupiter Jones grew up on the north-west coasts of Cumberland and Lancashire. The first was wild and secretive, the second trashy and jaded; she loved them both. Following a brief spell in London to complete a PhD in Spectatorial Embarrassment at Goldsmiths, she now lives in Wales and writes short and flash fictions. She is a winner of the Colm Toíbín International Prize, and her work has been published by Aesthetica, Brittle Star, Fish, Reflex, Scottish Arts Trust, and rejected by many, many others.

The Listening Project by Ali McGrane
Ali McGrane lives and writes between the sea and the moor, in the south west UK. She completed an MA with distinction from the Open University in 2020, and has stories published in literary magazines including Fictive Dream, The Lost Balloon, Ellipsis Zine, Cabinet of Heed, FlashBack Fiction, and Janus Literary. Her work has been longlisted for the Fish Flash Fiction Prize, and shortlisted for the Retreat West Short Story Prize and Bath Flash Fiction Award. Her story, ‘Tar i Leith’, received nominations for Best of the Net and Best Microfictions 2019. This is her first attempt at a novella-in-flash.

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Novella-in-Flash 2021 Judge’s report, Michelle Elvy

What a very fine set of flash novellas! And what a daunting task – perhaps the most difficult reading I’ve done. A huge congratulations to every writer who completed a novella-in-flash and submitted, and then a further round of applause to the writers whose work is in the Long List. Wow.
Many thanks also to Ad Hoc Fiction/ BFFA for entrusting me with this challenging and rewarding task. I learn so much every time I read new sets of flash fictions – and this collection of novellas certainly raises the bar.
It’s no easy task writing a collection of stories with a narrative arc, with overtones and undercurrents, with full yet flawed characters, with suspense and mystery in such a small space. Every one of the novellas in the long list has something special about it – many of them intense family portrayals, many of them drawn from history of a place and the nuances from a time long gone, several of them capturing innocence and loss. The form is evolving; writers are taking more chances in the way they write novellas-in-flash, as this long list demonstrates. Some experiment with time; some explore voice and point-of-view in inventive ways; a few play with dialogue and the vernacular; one begins with a recipe.
This long list takes us from Augusta to Reykjavik. And the names: imaginative and evocative, from ‘Fishing Lines’ to ‘Throw A Seven’, from ‘Wild Boys’ to ‘His Raucous Girls’ – I wanted to meet the people in these pages.
The stories captivated me from the opening lines, too. Here are few memorable ones:
I’m starting to believe my own stories. – Remembering What the Doormouse Said

“Two girls in thrift-store broomstick skirts leap from the dinner table, two girls in the
desert smell rain.” – His Raucous Girls

“Sixty-one paces between the Pool of the Monster and the Elm Field. Cara says fifty-five. I don’t argue. Never argue. She’s a year older. Knows things I don’t know.” – Long Bend Shallows

“Greedy and selfish. That’s babies for you,’ said the old woman.” – The End of History

Arriving at the Short List took ages. I moved back and for the between stories, I examined beginnings, middles and endings. I examined dialogue and pacing. I walked away and let them settle into my brain and heart. I read them again. Finally, the ten on the short list emerged as they each took all of the things we love about the short form one step further. They took risks, and I admired them for that. Here’s a hint of what the short list holds:

A Family of Great Falls. Two sisters growing up with a sense of the potential promise that life may hold, as well as the dark realities that are unavoidable with a father who, as an undertaker, is the ‘keeper of the dead’ and a brother buried in the town cemetery. Oh, and a name that must be buried and farewelled, too. Tender but not sentimental, this is a balanced set of stories that reveal the bonds of sisterhood and the way two young girls face the hardest challenges.

Hairy on the Inside. A group of flatmates try to hold onto their compassion and civilising tendencies in the face of pestilence and plague – mostly. Their new lockdown lives include all the typical things, from counselling sessions to book clubs. But this is no ordinary tale: you will howl when the moon is full and grimace when there’s a hunger for blood. A funny and irreverent monster mash-up, with love in the mix, too, and a serious message about how to be the real you. Carefully written with excellent pacing but also: it’s clear how much fun the writer had writing this!

Kipris. New life, and repeated death on the island of Cyprus. A story that intertwines people and politics, historical drama and myth, in an intricate and lyrical way, moving from the oceanside to the mountains to lemon and orange groves, and then to Liverpool and back again. Spanning across generations from the 1940s to the 1980s, this is a study in self-determination and love, on many levels. And goats – filling us with warm frothy milk, filling the stories with sustenance.

The Death and Life of Mrs Parker. Set in the structure the title suggests, this novella brings the reader into the moment of Mrs Parker’s demise and then, with swift moves and snappy dialogue, takes us through her life (moments both special and mundane), all while the ambulance lights flare and the compressions are counted. A life lived, a life revived, a life lost: there are many wonderful moments in this clever set of stories.

The Listening Project. A boy lost to his family; a young girl growing up without her brother. This is a beautiful story of grief and the way it changes us. It’s also about tuning in, and learning to hear, as the title suggests: to both outside and inside worlds. Moving across generations and sometimes navigating delicate moments and thin ice, this novella takes us through a family’s sad story, but also rebirth – in more ways than one. Musical and rich in tone.

And now, here are the top placements…
HIGHLY COMMENDED
Small Things. A beautiful story of loss, told in a way that surprises you, because love is expansive between the people in this story – between Jude and his Da, between Jude and the memory of his Ma, between Jude and Una, between Jude and Kit. And even as the love is grand, the moments are captured with subtle storytelling, and the heart shines with all the small things between them. These stories hold sharp dialogue and sometimes uncomfortable encounters; these feel like real people building real relationships. Friendship and love resonate in these pages, and the ending is both surprising and perfect. The story is layered over the years, from Jude’s first encounter with the new boy Kit (age 7) to his early adulthood when the world is baffling and unbalanced, where weaknesses and strengths come to light. And Kit, Kit Kit, at the centre of it all. Exceptional storytelling!

HIGHLY COMMENDED
Things I can’t tell Amma. A coming-of-age story of a young woman studying abroad, reaching across oceans and time to her family back in Calcutta. Deepa misses the spices and comfort of home, but she embraces the newness and choice that this new world has to offer. Deepa’s encounters captivate the reader. The details take us there; this in 1981 America: giggly girls tune into General Hospital and Good Morning, America, President Reagan is shot, Prince Charles marries Lady Diana Spencer. Deepa is far from the traditions and expectations of her known world, and she opens her mind and her heart. It’s a world of jalapeño and new spices and even danger. And humour, too: there’s a clickety typewriter with a missing letter and ‘Whats-his-name’, the pet bird she can’t name. And there is love, first hinted at when Deepa does not pull back as Theo reaches for her hand, and then told delicately in second person and closing the set with a wonderful, gentle ending.

RUNNER UP
One for the River. An economy of words that tells a richly layered story. This is one of the shortest collections in the batch, and yet here we have so much as the writer shows the death of a boy from many views and paints a picture of the people who inhabit this small town. A great deal of control is exercised here; both the writing and the story are restrained but full. The themes intrigue: impermanence versus permanence; a fleeting moment versus decisive finality; an encounter observed as chance but with clear results. A photograph not taken encompasses the idea of ‘would have/ could have…’, while a stone carved with hammer and chisel reminds us of what can be said without words. This story leaves me with images of these people, and the moments between them – some wicked, some funny, some full of sorrow and also grace. And there’s a play with language, too: the chip van, the chipping of the stone; the rock of one’s life, the rock that Aiden drags, Sisyphean, to the bridge where the drowning boy was first observed. The idea of change, too: what happens to Fat Barry; what happens to Aiden. And then there’s the drowning itself – the five stages that are essential and eloquent, placed between the scenes. Spare in style, this small set of pages resonates with the complexities of an entire novel.

RUNNER UP
The Tony Bone Stories. A strong and sure narrative, this lively set of stories explores truth and fiction, the line between reality and make-believe, and the way one story will influence the outcome of another. It is worth noting that this is one of the few novellas in the Short List that does not deal with death and grief; this is a completely different take on The Meaning Of Life. I applaud the writer for taking a route that is fresh and fun. Rich in layers and confident in voice, the writing is witty, humorous and charged – and leaves the reader with a delicious set of questions to ponder, without being overly ponderous. It’s a romp through Tony Bone’s world – the good moments (he has a girlfriend!), the sleepless nights, the trip to Vegas – all the while working alongside his, and the narrator’s, existential crisis. Tony Bone has to exist, yes, but there must be a reason; as we learn here: you can’t just take someone from a news story and create a character to bring to your writing group, right? The narrator must build Tony – and plausibility – before our eyes. What a fun and rewarding exploration of the relationship between character, narrator and reader, and a reflection on possibilities, down to the very last marvellous line.

FIRST
Season of Bright Sorrow. A girl lives by the sea, and the rhythm of life both lived and observed emerges in these pages. Here we have a gathering of things unexpected: an external exploration of young Lana’s world, and the internal workings of her imagination, both built artfully by the writer. This collection stands out for the rhythmic storytelling and the variety the reader encounters in these small fictions – told in fragments, in lists, in long breathless sentences, in repetitions, in sharp and believable dialogue. There is great care here, and yet the stories spill from the page seamlessly. We peek into a bag and see what’s being collected; we have glimpses of a map, shards of shining things. There is both breadth and depth in these stories, and each page reveals something more: faraway objects and items close up need examining, need understanding. The strong characters are woven together beautifully: Lana with her missing father, her not-too-sober mother, an old man collecting objects along the beach and an unlikeable boy. The encounters are poignant and surprising. And we get the sense that, despite a yearning for order and control, there is a wildness, too: from lions to spiders to whelks to whales to the sea itself. By the end, Lana – and the reader – come to terms with realities and limitations that this life delivers, but there is an innocence and a hope that lingers, too. A superbly designed set of stories, from beginning to end. And although the style and confidence of the prose itself is enough to garner the top prize in this competition, it is worth mentioning here that the sketches that accompany the writing add another intriguing layer.

An extraordinary set of novellas-in-flash! I hope you enjoy them as much as I have!

-Michelle Elvy
April 2021

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Novella-in-Flash 2021, Winners

Many congratulations to the winners in our 5th yearly Novella-in-Flash Award. Do read our judge Michelle Elvy’s excellent report and comments on these fantastic novellas in flash. All of them will be published by Ad Hoc Fiction and we’re privileged to add them to the Ad Hoc novella-in-flash series.

First Prize Season of Bright Sorrow by David Swann.
David Swann’s flash fiction collection Stronger Faster Shorter was published in 2015. In 2016 he won the Bridport Flash Fiction Competition, his eighth success in a Prize that he judged in 2013. His other publications include The Privilege of Rain (based on his experiences as a Writer in Residence in jail, and shortlisted for the Ted Hughes Award) and The Last Days of Johnny North, a collection of his prize winning short fiction. He is currently Senior Lecturer in the Department of English at the University of Chichester, where he teaches modules on fiction, poetry, and screenwriting.


Runner-up One for the River by Tom O’Brien.
Tom O’Brien is an Irishman living in London. His Novella-in-Flash Straw Gods is published by Reflex Press and he has another novella-in-flash, Homemade Weather forthcoming from Retreat West, which won first prize in their Novelette in Flash prize, 2021. He’s been Pushcart and Best Microfictions nominated. His flash fiction and short stories are in print in various anthologies such as Blink-Ink and Bath Flash Fiction (forthcoming) as well as many sites around the web including Ellipsis Zine, Reflex, Spelk and 50-Word Stories.

Runner-up The Tony Bone Stories by Al Kratz.
Al Kratz lives in Indianola, Iowa with his wife Kristy and their cat Tom Petty. He is the Managing Editor for New Flash Fiction Review and a co-founder of the Flash Monsters!!! blog. More about his work can be found at alkratz.com.

Highly Commended Small Things by Hannah Sutherland.
Hannah Sutherland is a writer and teacher from Scotland. She placed 2nd in the Writing East Midland’s Aurora Prize in 2020 and recently won Cranked Anvil’s first Flash Fiction competition. She’s been listed for Retreat West’s Short Story and Flash Fiction competitions, the Flash 500 Short Story Award, The Phare Magazine and Strands International Flash Fiction. Her stories have been featured in The Common Breath, The Phare Magazine, mac(ro)mic and others.
Hannah lives with her husband and son in Aberdeenshire and tweets at @HannahWrites88.

Highly Commended, Things I Can’t Tell Amma by Sudha Balagopal.
Sudha Balagopal’s fiction straddles continents and cultures, blending thoughts and ideas from the east and the west. She is the author of a novel, A Dawn, and two short story collections, There are Seven Notes and Missing and Other Stories.Her short fiction has been published in journals around the world, has been nominated for the Pushcart Prize and Best Small Fictions, will appear in Best Microfiction 2021 and is listed in the Wigleaf Top 50. When she’s not writing, she teaches yoga. More at www.sudhabalagopal.com

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Novella-in-flash 2021 Short List

Many congratulations to all the authors who sdfd selected for our Award shortlist.

Novella-in-Flash 2021 Award ShortList
Title Author
A Family Of Great Falls Debra Daniel
Hairy On The Inside Tracy Fells
Kipris Michelle Christophorou
One For The River Tom O’Brien
Season Of Bright Sorrow David Swann
Small Things Hannah Sutherland
The Death And Life Of Mrs Parker Jupiter Jones
The Listening Project Ali McGrane
The Tony Bone Stories Al Kratz
Things I Can’t Tell Amma Sudha Balagopal

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Saboteur Awards 2021. Cast Your Votes!

The Saboteur Awards 2021 are open now for voting until April 7th.

During the late summer and Autumn of 2020, our tiny short-short fiction press (just two people running it), Ad Hoc Fiction. published eleven more books and if you have read and enjoyed any that fit into the Saboteur categories, the authors, I am sure, would appreciate your votes. And Ad Hoc Fiction would also love your voting support in the Most Innovative Publisher category. And finally you can vote for the Flash Fiction Festival in the Best Literary Festival Category. The Festival is up and running this year with our series of monthly days, The Great Festival Flash-Off on Zoom, the first one, just gone on March 27th. Thanks. To remind you, there’s a picture gallery of all the relevant books published by Ad Hoc Fiction below.

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We have a lot to choose from in the Novella Category:
Mary Jane Holmes who won the 2020 Novella-in-Flash Award with Don’t Tell The Bees
Tracey Slaughter, a runner up in the 2020 NIF award, with if there is no shelter
Erica Plouffe-Lazure, a runner up in the 2020 NIF award with Sugar Mountain
Alison Woodhouse, specially commended with The House on the Corner
Karen Jones, specially commended with When It’s Not Called Making Love
Louise Watts, specially commended with Something Lost
Eleanor Walsh, specially commended with Stormbred
All published in Autumn, 2020.

For the Short Story Collection category, Ad Hoc Fiction published, one collection in 2020, and two more this year.
This Alone Could Save Us by Santino Prinzi, July, 2020
The Yet Unknowing World by Fiona J Mackintosh, March 2021
Gaps in the Light by Iona Winter, March 2021

For the anthology category Ad Hoc Fiction published:
Restore to Factory Settings, Vol 5 Bath Flash Fiction, November 2020.

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Q & A with Geeta Sanker, first prize winner, Feb. 2021

Geeta Sanker

We’re delighted to post this Q & A with Geeta, who won the 17th Bath Flash Fiction Award, judged by Charmaine Wilkerson. Charmaine’s comments about ‘Let Them Eat First‘ are posted in her judge’s report. We’re always interested in what inspires a story, whether it is memory, meetings with others, the written or spoken word, images or other things. Here, Geeta tells us her story was prompted by a striking visual prompt. She is coming to read ‘Let Them Eat First’ and talk about it at ‘Flash Point: Flash Fiction and Social Commentary’, a half an hour conversation with Charmaine and others at our first Great Festival Flash Off Day, 27th March. This will be a fascinating discussion and we hope you can join the festival day to hear them and participate. Do also have a look at ‘Butternut Tosh‘, Geeta’s short film produced during the lockdown with the London Eclective group she is involved with. Another quite different, yet very pertinent type of social commentary. Read in Full

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